An European consortium headed by the German companies AEG and Siemens entered the fray and seized a substantial corner of the growing market for sound equipment. Legacy cinema Innovation SSI -71 within a few years thousands of theaters in Europe and America were wired using technology licensed from the patent holders that were powerful. Just in the Soviet Union and Japan was the conversion to seem slow to take effect.
It changed other areas also, leaving very few unaffected, although the heart of this revolution was the introduction of synchronized sound conversation. It was a revolution, the same as the gifts of images were, that commenced in America and spread inexorably to the remaining world, though certain facets of it had an unique European inflection plus some remote corners of the world didn’t feel the effects of any of it for some time.
Indian popular cinema is invested by numerous components with a clear identity but they are able to scarcely be considered real images of reality or Indian society. Nonetheless, they do represent Indian society, seen as it were, through a mirror that is distorted or broken. One of the distinctive features
Sound affected picture type similar to the construction of the sector in equal measure, and the gifts of graphics had before it. The old quiet comedy was replaced by the wisecracking of the Marx Brothers and Mae West. Playwrights and script-writers assumed a fresh importance. An entirely new genre, the musical film, came into being.
Hollywood suffered a temporary set back in foreign markets because dialogue was demanded by audiences within their own language. Since in the early years of sound all dialogue had to be recorded live, the practice grew up of making pictures in multilingual versions, with different performers, until the association of dubbing in the mid-1930s made it superfluous.